Free Embroidery Designs

i found much designs but i wonder how i can get or found/design this designs about embroidery .. this is free but i found much is for sale ( need money) so i think that i design this myself by my hands so i don’t search anymore or buy this designs

any help ??
this site is example if you don’t know what i mean
http://embroidery-free.blogspot.com

I have used childrens coloring books for design ideas for both hand embroidery and machine embroidery. Also you can use tracing paper on any design idea you see in any magazine or book and use it with both hand embroidery or machine embroidery by using tracing paper to put it onto the fabric.

Where there is free embroidery designs?
To be free, very beautiful, be able to download the source file!

You have an opportunity to buy online which saves you lots of time and also money, You will get the latest trends of outfits available in the market today on the websites. One such website which I have visited and which focuses on the latest fashion outfits like: Embroidery Jackets, Work Wear, Children Wear, Sports wear and also provides you many methods in printing your own T shirts is http://www.motifs.co.uk.

From decorating a pillow to wrapping up a present, silk ribbon embroidery is extremely beautiful and easy to play with for hand-made projects. Ribbons are widely used to help people decorate or tie up creatively almost any type of hand-made project. But using ribbons to create for example a pompon bow or a ribbon rose used as a garment pin, takes practice and professional advice. Thus, the following simple tips can help you embellish your friend’s next present, or surprise your dinner guests with your own ribbon-made Dior plate treatments.

To create any kind of bow, you will need some basic tools, such as scissors, a meter, a thin wooden stick, some glue tape and/or wire and of course your choice of ribbons. Sold in a variety of colors, designs and textures, you can find your selection of ribbons at your local fabric store. If you wish to make your own pompon bow, take a ribbon and form a 9 inches loop equal in size to the diameter of the finished bow. Wrap the remaining ribbon around the loop as many times as you desire for your bow. Then, flatten loops and cut off triangles at end, being careful not to cut too close to the center. By bringing ends together to meet in center you will then be left with two overlapping triangles. Secure the ribbon at the centered triangles with wire, tape or another piece of ribbon. Pull out loops, twisting them towards the center and alternating sides and you will end up with your pompon bow. In case a Dior bow seems more appropriate, cut your selection of ribbon or ribbons into 5 lengths, beginning with 5 inches and stopping at 22 inches. Then take each piece and form loops, overlapping at the center. Glue them in place, and then securely attach each loop with the next. Finally, wrap a smaller length around the center of your bow and glue it under the bow’s visible surface. Your Dior bow can now embellish your hat, shoes, or handbag.

If you want to create your own beautiful ribbon pin rose you will need some wire and your choice of ribbons for the rose and its petals. Begin by making a knot at one end of a 22 inches ribbon length. At the opposite end of the ribbon, poke out wire from one side and loosely gather the ribbon along this wire down to the knot. Avoid pulling the ribbon hard, as it might snap. Continue gathering until the entire side is completely ruffled and it seems to curl naturally. Do not cut off the wire that appears at the end; leave for now free. Then, start forming a rose, by holding the knotted end in one hand and spiral the wired gathered ribbon with the other around the knot loosely. Continue rapping until it flares out and acquires an open rose effect. Then, fold the raw edge down to meet the gathered one and secure the wrapping wire end around the knot tightly. Cut the free wire off and finally, adjust the petals as needed to create the desired effect. For a leaf, fold small pieces of ribbon diagonally to the center and then fold each side towards the center to form a point. Gather bottom end and wrap it with wire, securing it onto the rose base. Your hand-made rose will certainly attract your friends’ attention.

Kadence Buchanan
http://www.articlesbase.com/careers-articles/ribbon-embellishments-67260.html

Cutters are a natural fit in any decorated apparel business. The advantages they offer are numerous, including:

They work with a huge array of materials, including vinyl and film, and you can get a full-blown system, including supplies, for as little as £2000.

These materials can be applied to cotton, cotton/polyester blends, nylon, 100% polyester, leather, canvas, wood, and metal. And in addition to apparel, you also can decorate accessories and extras such as umbrellas, helmets, cd bags and coolers. It’s just a question of picking the right material for the substrate.

You have complete design control, allowing you to do things like custom fit long names on small jerseys, change fonts and colours, and so on.

You’re not dependent on a supplier’s schedule; you make designs when you need them. If you run short of a vowel or a number one or mess one up, you make one more.

Depending on the cutter you purchase, your new equipment may allow you to make a digital transfer of things like corporate logos, a left chest, or full-front design, which allows you to enter a host of new markets.

In addition to teams, you can expand your markets to include local community projects, uniform wear, and all kinds of corporate businesses.  

And when you figure that somebody is going to be making healthy profits doing that business — well, it might as well be your shop, right? In the long run, this kind of market and decorating versatility can only help your business. With that in mind, here’s a look at what you need to know about buying a cutter.

Understanding the Basics
Cutters are available in two types: friction-fed, which includes roll cutters and sheet-fed cutters; or flat bed.

Most friction-fed cutters aren’t designed to handle twill, although there are a couple of significant exceptions. Typically, flat-bed cutters costs around £4000, can do the job extremely well. The ability to handle twill and appliqué means your shop also has to add a sewing or embroidery machine.  And you need to be aware that flat-bed cutters can’t be used with roll materials. Many shops that do both have a friction-fed and a flat-bed cutter.

In either case, the cutter hooks up to your computer (generally not included as part of the purchase); much like you’d connect a printer. You’ll also need a heat press and materials to feed into the cutter. You send a design from the computer to the cutter, which then cuts it from the material — which you then weed (to remove unwanted material) and heat seal to a substrate.

Some suppliers offer packages that include the cutter, a heat press, and materials. In all, expect to spend roughly £2,000 and up for all the required equipment, including a good heat press and supplies — a low price given all the capabilities you’ll be adding to your shop.

Software. Cutters usually come with the software required, either in standalone form or as a plug-in for graphic arts programs such as CorelDraw or Adobe Illustrator. Essentially, the software acts as a driver for the cutter. While it’s a plus if you know graphic arts programs, you can happily get by without that knowledge; with some other software available that automates many of the functions, that would normally take more knowledge. Still, having the flexibility of a full-fledged graphic arts program really expands your capabilities and what you can do for your customers.

There also are CAD-cutting design programs that offer a wide range of predesigned templates geared to the team and sports market. Customers simply choose the typeface, design, colours, and layout they like best, and these are plugged into the template, and out comes a professional-looking design ready to be heat sealed. Another option is to rely on suppliers who offer artwork services. They will clean up your customer’s artwork and vectorize it so it’s ready to output to your cutter. (Cutters work only vector artwork, not bitmap or raster images.) Most clip art companies also offer thousands of mascots and images that can easily be imported into your CAD cutter programme and incorporated into a design.

Material. Materials come in sheets and rolls. One big advantage of roll goods is you do not have to stand there and feed sheets into the machine. You can load up a roll, which will then continuously cut until the job is done. There’s also no limit to the design’s length, since the roll is continuous. Rolls generally come in 38cm and 50cm widths.

Cutters also can do sign vinyl, which is usually a self-adhesive material; film, which is a heat-applied material used for apparel; sand-blast material; magnetic material for making refrigerator magnets and magnetic vehicle signs; and, in some cases, transfer paper. This means that not only can you offer the school football team numbered shirts; you can print up the team’s season schedule on magnetic material and sell it to teams and fans who want to put it up on the fridge.

As an alternative to vinyl, certain select suppliers also offer polyurethane materials, or PU which is more environmentally friendly. It is actually thinner, looks better and feels softer than vinyl. Furthermore, the PU product “loves itself” and you can, therefore, stick more layers together. An important feature of PU is that a two-colour, two-layer design will feel like just one layer However, some customers may prefer the thicker, shinier look of traditional vinyl.

For markets such as dance, fashion, and safety, you’ll find a multitude of film options, including foils, glitters, metallic, fluorescents, and reflectives. Reflective materials, which have recently become available in a variety of colors, are popular for safety where visibility is crucial, for example, for school children walking with backpacks. Now children can be safe and make a fashion statement at the same time!

Size. Cutters come in many widths — anywhere from 20cms to 160cms. Of course, the cutter’s cost increases accordingly, from about £700 to £10,000. Generally, though, expect to spend roughly £1000 to £1,500 on a quality cutter.

Unless you’re only going to use the cutter for hobby work, you should avoid anything less than 38cms wide. A 60cms width is considered a standard minimum size for a sporting goods dealer doing team shirts.  

Other Cutter Considerations

When shopping for a cutter, there are some other features to be aware of. They include:

Memory. Look for cutters with an adequate buffer memory as. This allows the unit to quickly download designs from the computer to the cutter.

Down force. Find out how many grams of force the cutter has. Some have about 150 grams of force, while others have about 450. Depending on the material you’re cutting, more down force may come in handy. You must have sufficient down force to cut heavier materials like twill, for example. So make sure your salesperson is aware of all the materials you anticipate cutting.

Optical eye. This is a relatively new feature available on cutters but one that can save a tremendous amount of time increasing productivity. A cutter with an optical eye sets up registration points and, with the software included, allows you to quickly set up contour lines around even complicated designs. It then quickly and precisely cut around any design.

If your cutter has an optical eye (this should cost from £1,400 – £2,000), you can then add a low-cost inkjet printer, and cut out full-colour designs for dark garments.  With an optical eye on your cutter you will not have to worry ever again about using scissors to laboriously cut away the white border around your designs. Just print the designs on transfer paper using the inkjet printer, use the cutter to contour cut the printed image, and use the press to heat seal the image onto the garment. An optical eye also allows you to contour cut items such as window stickers.

Presets. For each type of material you cut, the machine must be programmed with the specifics of that material. If you’re going to switch back and forth between vinyl and film, for instance, it’s handy to have a cutter that has a number of presets. This way, you simply push a button and the unit is ready to handle that material.

 

Warranty. Some suppliers offer extended warranties at no additional cost, so be sure to ask what type of coverage is included. Also, ask if the supplier will offer a free loan machine to use to keep production going should your equipment need servicing.

Training. Using a cutter requires only limited training, which you can get online or in person. In fact, many training programs take only an hour before you’re up and running. Find out whether the supplier offers in-person or virtual training, or both — and at what cost, if any.

Speed. Find out how fast the cutter operates. Most suppliers measure in terms of cms per second. A speed of about 38cms per second and higher is good. Keep in mind that more complicated designs will sometimes require a much slower speed.

Cut quality. Take a close look at the manner in which the cutter does its work. Are the cuts clean and smooth, or are they ragged? Watch the unit in action, and carefully examine samples produced on the machine.

With these considerations in mind, you’re ready to start shopping for a cutter for your business. It’s almost as if you’re purchasing not just a piece of equipment but a new employee who can handle an amazing array of tasks. With a cutter, you’re no longer limited by anything but your imagination.

Printer/Cutters Close Up 
While a cutter has an incredible amount of versatility, a printer/cutter unit ups the ante by adding printing capabilities to the mix. A single unit can output full-color images—usually using inkjet technology—and do contour cutting all in with the same machine.

Using such a unit makes it easy to create customized signage with UV-resistant ink, and do digital transfers for apparel and other items—and it can still do everything a traditional cutter can handle. Of course, such capabilities come at a cost: Prices start at about £6,000 and reach £10,000 and upwards.

Target can be contacted at www.targettransfers.com or call +44 (0) 1376 326351.

 

Martin Borley
http://www.articlesbase.com/business-ideas-articles/boost-profits-expand-markets-with-a-digital-plotter-cutter-724675.html

Introduction

India is becoming the latest fashion hub for the fashionistas. Indian designers are no longer confined to the domestic fashion and apparel market, they are gaining recognition and fame from all over the world. The various government policies and a boom in fashion industry have made it possible. One of the major breakthrough provided to Indian designers to showcase their talents are through the medium of fashion shows. Lakme India Fashion Show is the most popular fashion show celebration of India where the talents of already established and upcoming designers are showcased.

This event is a fashion celebration laced with lots of glamour and national as well as international media coverage. This time lakme India fashion week was held at Mumbai from 31st Oct- 4th Nov. Many high profile designers as well as audience witnessed this fashion fiesta. Famous bollywood celebrities were part of it.

Eminent designers like Surily Goel, Narendra Kumar, Sabyasachi Mukherjee, Nalandda Bhandari, Nandita Mahtani, Anand Kabra, Abhishek Dutta , Wendrell Rodericks, Anupama Dayal, Vikram Phadnis, Chaitanya Rao, Sanchita, Savio Jon, Payal Singhal, Sanjay Malhotra, James Ferriera, Priyadarshini Rao, etc presented their spring/summer 2007 collection. Also South African designer duo Sun Goddess and Clive Rundle presented their collection.

Brief descriptions of some designer’s creative work are as follows :-

Nalandda Bhandari

Nalandda Bhandari designs simple yet attractive and wearable collection under the brand name ‘Nasha’. She named her spring/summer 2007 collection ‘Free Spirit’. She covered all patterns and styles of contemporary women clothing, dress patterns like- tunics, kaftans, tube dress, skirts, shirts and burnt gold evening gown dominated her show. She played with glamour clad fabrics like chiffon, silk, georgette, voile, cotton and crepe. Her collection was largely ruled by animal prints and embroideries like African embroidery, sequin embroidery, etc. She also presented her men collection. She included her logo of rose embroidery in almost every outfit.

Narendra Kumar

The very famous designer Narendra Kumar presented his spring/summer collection 2007 at Lakme Fashion Week. The collection was named as ‘Love Touches You’. He presented a perfect blend of traditional and contemporary designing paired beautifully with each other. The women’s line of western collection had smocked & pleated skirts, balloon skirt with shirt dress, half collars, bloomers, chiffon with appliqué sleeves, etc which were created with the designer’s unique touch and detailing. The preferred fabrics by the designer were cotton, georgette, net, silk, mull and linen. The collection was unique but wearable in terms of design and pattern.

The men collection was very stylish and appealing in nature. Men models walked the ramp with elaborate embroidered batik styled shirts paired with stylish trousers completed with patch pockets and shiny zippers. Fun element of, feminity to male garments was provided by showcasing sophisticated floral printed baggy tops paired with tight fitting pants and capris. The choice of colors was dull jade, beige, blue, brown, saffron and white. Complicated embroidery, smocking, appliqué work and shadow work were part and parcel of his creative designing. The fun element was when the famous model turned actor John Abraham walked the ramp with white linen suit. Thus he complied every bit of creativity and entertainment aspects to his collection which gained him standing ovation by the audience and showering of red.

Surily Goel

Surily Goel is young and talented designer who even designs for film personalities. Her latest creation on big screen was for actress Preity Zinta for the film ‘Jaan-e-Mann’. Her collection presented the carefree and sensual side of women’s clothing. This year’s collection was marked by knee-length skirts of georgette, crochets, chiffon, light silks and organdy, highlighting pleats and waist gathering with satin belts. Also single piece bubble outfits created in wide range of colors and fabrics. In this time’s collection she used more of small colored stones.

The presence of film personalities like Dino Morea, Sonali Bendre, Neelam Kothari, Fardeen Khan, Sameera Reddy and Tara Sharma in the audience during her collection put the star element into the show.

Chaitanya Rao

Chaitanya Rao’s collection was like early morning breeze with booming petals of budding roses. The delicate fabrics like georgette and chiffon provided that sexy feminine look to her collection. As her signature, she included moth in the form of embroidery or appliqué in all of her garments. The models took over the ramp with her mesmerizing feminine collection comprising of hem blouses with theme embroideries, pleated mini skirts with batik prints, moth appliqué blouses, long frayed double hem dresses, pale grey chiffon tunic, cream color chiffon bubble dress, dolman sleeved hipster blouses, the list goes on. To accessorize her collection she used thin and broad belts.

Sanchita

Sanchita’s collection presented in Lakme Fashion Week was bold yet wearable. She divided her collection into three segments- Punk chic, Copacabana and Swinging deco. The stunning designer pieces of bikinis and pareos, Hawaiian inspired kaftans, small balloon skirts, floaty dresses and minis provided the feeling of the beaches of Copacabana, St. Tropez and Riviera to the audience. Her collection was quite glamorous consisting of outfit like grey T-shirts with silver leggings, lycra T-shirts having sleeve ornamentations, strapless dresses accompanied with necklaces, earrings and brooches.

The men collection was marked by casual wear T-shirts, poplin trousers with detailed embroideries and white tuxedo jackets.

The garments were decorated with semi precious stones or with attractive patch works. Her line of collection was dominated by colors like white, apatite, agate, jade, opal and black onyx. The garments were accessorized with intrinsically crafted jewelry and bags.

Savio Jon

This designer emphasized heavily on the comfort factor of the garments. Savio Jon is well known for his simple yet attractive clothing lines which are high on value and seductive quotient. Unlike other designers he preferred his garments to hang loose around the body instead of body hugging/tight fitting clothes. He used free flowing fabrics like fish net, mul, chiffon, georgette and crepe.

Pinafore silhouette, long lean maxis, oversized blouses, deep shoveled armholes, low back and front necklines, were some types of garments he presented. In evening wear he glamorized the tubular silhouettes with shimmers. The ranges of colors choosed by him for his collection were beige, grey, brown, black, pale yellow and white. Thus the colors were also sober and subtle.

Payal Singhal

Payal Singhal for the first time presented her collection in Lakme Fashion Week. Her designer collection for women were designed keeping in mind today’s working women’s needs and comfort level. Stylish yet affordable was the key element associated with her collection. She beautifully used cutwork, satin, georgette, jacquard, tulle, cotton, crepe, taffeta, brocade and seersucker in club and partywear for dresses and tunics. Her display of outfits on ramp descended gracefully from daywear to glamorous evening wear. She started her showcasing of designs in oyster white color then, tea rose, yellow, coffee, watermelon to grapefruit color. Display of tunics and blousons were coupled with melon, gold or silver tights. The signature outfit was the oyster white kaftan embellished with golden embroidery.
Sanjay Malhotra

Sanjay Malhotra named his spring/summer 2007 collection ‘Dejavu’. The key phrase which inspired him for this collection was Life through my rose colored glasses. He instead of sticking only to free flowing usual feminine fabrics, even experimented with fabrics like fur, leather, voiles, denim, suede and laces which were highly appealing to today’s power packed independent women. The beautiful mix-n-match of these fabrics in sober as well as striking colors presented a collection that was bold enough yet stylish and wearable. Few of the many outfits displayed by him were- ivory colored mirror jacket with chiffon sleeves, colorful corset skirt accompanied with net petticoat, tunic with fur edge, etc. His collection was for the woman who likes to seek attention of the crowd and be different.

Clive Rundle and Sun Goddess

Clive Rundle and Sun Goddess were two international South African designers who presented their collection at Lakme Fashion Week. Fusion was the key style of their outfits. Extravagant layered dresses and skirts, jackets, evening wear, loosely fitted shirts and trousers, long coats and tops were part of their garment showcase. Their choices of colors were mainly creams, cherries, plums, peaches, sapphires, maroons and mauves. The free flowing pleated and layered outfits depicted the south African culture and fashion essence through them.

James Ferriera

James Ferriera made his debut at Lakme Fashion Week. He named his collection ‘Bombay Tokyo’. His collections were inspired by Maharashtra’s rich textile heritage.

The collections were divided into seven segments which were even named. The sari, an ode to devnagari, the hardy traditional towel, black magic, the sholapur story, warli and diwali were the seven names given to the segments.

Traditional warli paintings and paithani motifs were done on the clothes. Very uniquely he transformed the traditional forms of maharashtrian clothing into contemporary designs, like nine yard saris were intelligently converted into tunics. Marigold and leaf motifs were used on black shirts with cowl necks.

To describe in a nutshell his collection used ethnic fabrics and designs on garments with style and attitude. The outfit presented during finale had black georgette garments with glittering Paithani embroidery designs on them.

Conclusion

This event is marked by presence of celebrities and traders all across the globe. Also it provides a platform for the budding designers to show their talent and establish themselves into the high profile fashion industry, for the already established designers to show their collection and maintain their popularity level. The above mentioned review is for few of the many prominent and talented designers. The nutshell description of the designers suggests that this celebration of fashion and style is a sure shot success for India’s designers and promote the export business too. The very presence of film stars on the ramp of their favorite designers and in the audience is the crowd puller factor of this celebration. Lakme Fashion week is extensively covered by media and promoted also.

http://www.fibre2fashion.com
http://www.articlesbase.com/art-and-entertainment-articles/lakme-india-fashion-week-a-review-75479.html

Wales is a picturesque land that will surely offer you a great variety of tourist attractions crammed with a sense of history and splendor. One of the highlights is in Cardiff – St. Fagans National History Museum, which attracts numerous visitors all year long with its architectural trails through Wales’ history.

The St. Fagans National History Museum is actually a museum organized in the open air, one of the biggest of this kind in the whole of Europe. You can see all sorts of architectural and cultural exhibits within the framework of this museum, from traditional cottages to luxury mansions, a gorgeous chapel and a few farms plus a Victorian shop complex and a toll house. All these are displayed in a huge area of over 100 acres and will show you Wales in a nutshell. It is like taking a walk though the entire history and sites of Wales in only one day, seeing buildings, establishments, photographs, crafts, books that have a connection to Wales throughout its history starting from Celtic times until nowadays. The St. Fagans National History Museum awaits you with open arms, and it is a great way to spend a day in beautiful Cardiff.

The St. Fagans National History Museum opened its gates to the public in 1948. It was built on the territory of St. Fagans Castle, a manor that dates back in the late 1500s, and was given as a gift from the Earl of Plymouth to the people of Wales. Today, in that space there are over forty original buildings that characterize different eras, and these buildings have been re-created to provide the visitors with an idea about Wales and its architectural history.

The St. Fagans National History Museum hosts seven large collections: the buildings, corporate life collections, domestic and costumes, agricultural, craft and transport exhibits, a collection that records the cultural life of Wales, film archives, manuscript archives, a collection of highly interesting photographs, a sound archive and an enormous library.

The buildings that you can see at the St. Fagans National History Museum incorporate all sorts of farms, luxury mansions, houses, a chapel, a toll house, and a lot of other interesting buildings. There is also a Workmen’s Institute, where workshops are held on a regular basis. In these workshops, various craftsmen reveal their traditional skillfulness. You can also buy things made here, a great souvenir that will always remind you of the time spent at St. Fagans National History Museum.

The farms that you will be able to see at the St. Fagans National History Museum are full of farm animals and genuine farmers show the visitors how things happen on a farm. These farming demonstrations are a great show as you will find out so many fascinating things about the history and customs of Wales. In addition, you can also hear the rare Welsh language, as the farmers, craftsmen and the interpreters use it currently.

If you are interested in Welsh costumes, you should check out the galleries that exhibit these. These are included in the domestic and costumes section. There are various costumes and adornments from the Middle Ages to the present day. The collection includes an impressive number of dresses from the 19th and the 20th centuries.

There are also regular ancient items of clothing included in the collection. You will also see furniture and interior fittings from ancient times as well as cooking items and household appliances. There are also other events and temporary exhibitions organized on a regular basis at St. Fagans National History Museum. If you are lucky enough, you can witness traditional festivals, music concerts and Welsh traditional dances.

The corporate life collections comprise all sorts of business and trade materials. You will be able to see in this section ironmongery, grocery, furnishings, plus medical, law and ecclesiastical articles. The agricultural, craft and transport section is made up of tools, vehicles and machinery used to help out in the daily life of Welsh people. These items are from the late 1700s up till the mid 1900s. The craft items include woodwork, metalwork, leatherwork, basket making, pottery, quilting, embroidery and lace making. The section that deals with Welsh cultural life covers the music, folklore and customs recorded throughout the centuries.

If you visit the archival collections of the museum, you will be amazed at the numerous audio recordings comprised in this collection, which are around 9,000. The majority of these recordings have original fieldwork, which you can easily access. These recordings contain data on the folk narrative, issues related to linguistics, folk medicine, traditional Welsh music as well as customs. There are also around 200 videos, which were produced by historians and staff from the St. Fagans National History Museum. The archives of manuscripts are mostly about the Welsh ethnology. There is also a large photographic archive, which has over 150,000 photographs. These photographs will surely give you at least a hint on the complexity of the Welsh culture.

Last, but not least, the library section is made up of over 40,000 volumes and 200 periodicals, which will help you if you want a more detailed study on the Welsh ethnology, social and cultural history. Admission is free of charge, so this museum is certainly available to everyone. There are also Educational Visits available for schools, but it is lovely to spend some quality time with the family as well while visiting the museum.

The St. Fagans National History Museum is a great place for local people to visit, to learn more about their ancestors and is an outstanding museum for the tourists.

For more details and info, check out the official website of the St. Fagans National History Museum in Cardiff at www.museumwales.ac.uk/en/stfagans/

Article by Susan Ashby of Cardiff Singles. To read more articles like this or for dating in Cardiff visit http://www.cardiff-singles.co.uk

Susan Ashby
http://www.articlesbase.com/home-and-family-articles/st-fagans-national-history-museum-in-cardiff-129119.html